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26. Krüll (1979, p. 130).
27. S. Freud (1900, S.E., 4, p. 247). 28. Julius seems to have been born in October 1857. See Swales (1983d, p. 12); Krüll (1979, p. 266). 29. Krüll (1979, p. 266). 30. For example, see Jones (1953, pp. 7-8). 31. Origins (p. 219). 32. Jones (1953, p. 3). 33. Krüll (1979, p. 134). 34. Swales (1983d, p. 12). 35. Swales (1983d, p. 12). 36. This possibility was suggested to me by Swales as rather likely. 37. Full breast feeding suppresses ovulation, thus acting as a natural mechanism for child spacing. Ratner (1983) writes, “The birth of children every 11 or 12 months or so is abnormal and, with rare exception, is only found in mothers who bottle feed or token breastfeed their infants [or use a wet nurse]” (p. 201). 38. Grigg (1973). 39. Mahony (1977). 40. McGuire (Ed.), in S. Freud & Jung (1974, p. 59). 41. Schur (1972, p. 21). 42. Swales (1983d, p. 12). 43. Origins (pp. 219-220). 44. S. Freud (1900, S.E., 4, p. 248). 45. Origins (p. 222). 46. Origins (pp. 221-222). A second church in Freiberg is St. Valentine’s. It is baroque and has many statues. See Muk & Samánková et al. (1985, p. 443). 47. The importance of Pentecost for 19th-century Czech Catholic communities has been attested to me by Professors Rutar, Nemec, and Zezula. 48. The musicality of Czechoslovakia, especially in the l8th century, is noted by Burney (1773/1959, Vol. 1, pp. 33 ff.), and Czech musicality was widely recognized throughout the West in the 19th century as well. A common expression was that every Czech was born with a violin in his hands; the term “Bohemian” has its origin in the lifestyle of many Bohemian musicians who roamed about Europe looking for employment in orchestras or bands. Czech music consisted of two strands: one a strong and stable folk or popular music tradition; the other the Catholic Church’s long-term cultivation of high or classical music (e.g., in the monasteries, especially Benedictine, and in the courts). In Freud’s time, Czechoslovakia produced Smetana (b. 1824) and Dvorak (b. 1841) from Bohemia and Janácek (b. 1854) and Mahler (b. 1860) from Moravia. See also the “Mysticism, Music, and the Acropolis” section in Chapter Six. 49. See Jones (1953, p. 12) for the fame of the Freiberg church chimes; see Rieger (1867, p. 936) for the major renovation in the 1850s of the main church that dated back to the 13th century. 50. Zilboorg (1962, p. 137). 51. Jones (1953, p. 6). 52. Swales (personal communication, 1982), however, notes that there was a |